Between the Black Box and the White Cube: Expanded Cinema and Postwar Art
| Author | : | |
| Rating | : | 4.24 (631 Votes) |
| Asin | : | 0226842991 |
| Format Type | : | paperback |
| Number of Pages | : | 288 Pages |
| Publish Date | : | 2015-11-16 |
| Language | : | English |
DESCRIPTION:
Packed with over one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art.. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be
“Between the Black Box and the White Cube rescues critically neglected and under-recognized work by artists who embraced media, especially film, at times and in contexts that proved inhospitable to intermedia art. Andrew Uroskie writes with a retrospective lens aimed at correcting the art historical past, but he also shows himself adept at treating the work of major contemporary figures. Bringing extraordinary care to his in-depth analyses and the development of his historical claims, Uroskie has produced a wide-ranging and insightful book that fills an important gap in the literature and will readily cross over from the realm of cinema studies to that of contemporary art history.”
Florian said College Art Association Review. caareviews.org/reviews/"College Art Association Review" according to Florian. caareviews.org/reviews/2College Art Association Review Florian caareviews.org/reviews/2407In the closing pages of his fine book Between the Black Box and the White Cube: Expanded Cinema and Postwar Art, Andrew V. Uroskie delivers a vivid explication of Ken Dewey’s multimedia project Selma Last Year (1966). With this work, Dewey proposes to redefine the social character of media through sophisticated interrelations o. 07In the closing pages of his fine book Between the Black Box and the White Cube: Expanded Cinema and Postwar Art, Andrew V. Uroskie delivers a vivid explication of Ken Dewey’s multimedia project Selma Last Year (1966). With this work, Dewey proposes to redefine the social character of media through sophisticated interrelations o. College Art Association Review Florian caareviews.org/reviews/2407In the closing pages of his fine book Between the Black Box and the White Cube: Expanded Cinema and Postwar Art, Andrew V. Uroskie delivers a vivid explication of Ken Dewey’s multimedia project Selma Last Year (1966). With this work, Dewey proposes to redefine the social character of media through sophisticated interrelations o. 07In the closing pages of his fine book Between the Black Box and the White Cube: Expanded Cinema and Postwar Art, Andrew V. Uroskie delivers a vivid explication of Ken Dewey’s multimedia project Selma Last Year (1966). With this work, Dewey proposes to redefine the social character of media through sophisticated interrelations o. It would be nice if the book were available in e-reader format Andrew Uroskie definitely has a grasp of his subject and is an important work for other scholars in the field of cinematic production and the social implications of cinema in our lives. It would be nice if the book were available in e-reader format, due to the automatic dictionary functions available with that format. I wore my dictionary out during the first . "great!" according to Byoungsoo Kim. You have to read if you are interesting in contemporary art with cinema.Showing new possibility of contemporary art history.